The Contest

Check out Ellen Sandbeck's papercuts of the Buddha on the Facebook page "A Buddha A Day." Choose your favorite image, then send a wonderful piece of your writing, one page or less, on any topic, to abuddhaday@gmail.com. You may win the original papercut of your choice!

Winning entries will be posted on this page.

Wednesday, May 12, 2010

Winning Post from Mark Kreitzer

Lullaby, Don’t You Cry 
Mark Kreitzer ©

At the end of another day,
Your weary thoughts all drift away
You take your leave from all your cares,
Happy dreams will greet you there,

So lullaby, don’t you cry
Let me close your weary eyes
And I’ll be there by and by
When you come back home

Happy thoughts await you now
You don’t need to worry how
As your ears shut out the crowd,
Lay your head upon the clouds

So lullaby, don’t you cry
Let me close your weary eyes
And I’ll be there by and by
When you come back home

Winning entry from Diane Hellekson




For Ellen Sandbeck’s “A Buddha a Day”

I am not a woman of faith.

As a Lutheran child, I went through the motions; as an adolescent, I tried to find Jesus; and as an adult I’ve wanted a spiritual home. But the trouble with faith is that, like love, it only comes unbidden.

I’ve had fiery street-corner preachers tell me I was going to burn, and once I was brought to tears when a friend and Jehovah’s Witness said he heard the devil speaking though me (I had just expressed my belief in social change via political process). But my worst personal encounter with religion was with a Buddhist who briefly loved me.

He had the motto “Live as though events are dreams” posted near his front door, and a “Don’t believe everything you think” bumper sticker. He felt that figuratively burning the past was one way toward inner peace, and he seemed incapable of anger. I would ask questions about his faith, and sometimes he’d answer them. But while he wore his Buddhism on his sleeve, he also kept it close to his chest, pulling it out only occasionally like a membership card to an exclusive club. It seemed to give him an identity, a way to differentiate himself from others, and from me.

The night he left me, on a bitter New Year’s Eve, 250 miles north of home, I had my head on his lap as I confessed some of my hopes and fears, and thoughts on resolving them in the coming year. Rather than listening like a lover, his response was to offer a series of prescriptions. With clinical condescension, he told me what I “should” do. Embrace and engage difficult people in my life rather than protect myself from what felt like harm. Practice a particular daylong meditation at my father’s grave to release him-- but only after I had done some unspecified long-term preparations.

I had told him before that I felt like an unenlightened grasshopper around his faith, something he chided me for. Yet here he was suggesting something similar: that I needed to be shown how to approach my own life.  Never mind that his religion was not supposed to be evangelical; his message that night was that I could “correct” my New Year’s resolutions by following his Buddhist path.

In the wake of that, and some cruelty that followed, several people assured me that his behavior was in no way Buddhist. Yet when I noted bits of Buddhism popping up in the months that followed—in a conversation, a posting, an article—I was wary. This man had been so sure of his faith, and his certainty left me feeling so very wrong. If that was how Buddhism worked, it frightened me. I didn’t want ever feel the way I felt that night, judged and quietly belittled for my lack of faith.

So what I love about all these Buddhas of Ellen’s is that they don’t preach or judge; they guide by the gentlest of examples. Their woozy, contented glances; their hands like calm flowers in their laps; their feet, deep-rooted redwoods. In some of these peculiarly concrete paper cutouts, the Buddha closes his eyes, but still sees from his palms, his nipples, his soles: his whole body understands the world, accepts it, loves it.

I doubt I will ever be a Buddhist, or a devotee of any religion. The closest I get to faith these days is in yoga class, when I find myself standing solidly on one leg, my other arcing skyward, a supple reed in conversation with my hand—a feat I manage only because I fix my gaze on a sliver of light slipping through the edge of the window shade at the back of the room. Or at the end of class when I’m spent, in savasana, my arms and legs heavy on the ground, yet floating like so much energy. 

In those moments, my soul is bigger than my body, and it glimmers like the light behind a silhouette of a Buddha.

Diane Hellekson
10 May 2010


Wednesday, March 24, 2010

Winning Post from Sophie Ardenghi, plus translation



Ellen découpe des bouddhas en papier qui me sonnent de la même force que leurs frères de pierre.

Leur présence est plus épaisse que la fine couche de papier sur laquelle ils se posent et leur regard d’éternité m’attire autant par leur grâce que par leur sérénité.

Ces figures dentelées semblent transcender leur support, qu’il vienne de la fibre légère du papier ou que ce soit une statue gigantesque pesant mille hommes. Les bouddhas d’Ellen s’affirment à moi et me regardent autant que je veux les regarder. Ils sont faits de trous et d’air mais ont le poids de la beauté qui parle à mon âme.


                                             Sophie Ardenghi


Ellen cuts up paper Buddhas who strike me with the same force as their brothers of stone.

Their presence is thicker than the thin layer of paper on which they rest and their regard of eternity entices me as much by their grace as by their serenity.

These jagged figures seem to transcend their medium, whether it comes from the light fiber of the paper or a gigantic statue the weight of a thousand men. Ellen’s Buddhas assert themselves to me and stare at me as much as I want to stare at them. They are made of holes and of air but have the weight of the beauty that speaks to my soul.

Translation by Ariadne Sandbeck

Sunday, March 21, 2010

Winning entry from Sophie Ardenghi


Ellen découpe des bouddhas en papier qui me sonnent de la même force que leurs frères de pierre.

Leur présence est plus épaisse que la fine couche de papier sur laquelle ils se posent et leur regard d’éternité m’attire autant par leur grâce que par leur sérénité.

Ces figures dentelées semblent transcender leur support, qu’il vienne de la fibre légère du papier ou que ce soit une statue gigantesque pesant mille hommes. Les bouddhas d’Ellen s’affirment à moi et me regardent autant que je veux les regarder. Ils sont faits de trous et d’air mais ont le poids de la beauté qui parle à mon âme.

                                             Sophie Ardenghi

Wednesday, March 17, 2010

Winning entry from Glenn Gordon

Ellen Sandbeck’s Buddha No. 30


A man who thinks there is no murder in his heart is lying to himself. On the third day of January 2008, a woman whom I loved betrayed me.  Rage, bitterness, nausea, and a desire to avenge the waste made of my trust have been my close companions ever since. “Let it go,” people say, “Put it behind you; move on.” No doubt there is a limp wisdom to what they tell me but actually, no one puts anything behind -- ever. Everything goes into the sack of woe you’re dragging to the grave.

Against this, there is art -- this paper cutout, for instance, of a blossom resting in the Buddha’s palm. The graceful contours of the cutout’s segments, the curved pads of the fingertips, suggest an infinitely tender sense of touch, the Buddha’s and the artist’s both. I can feel the palm feeling the very slight weight and soft dampness of the petals it cradles. There is something slightly comic about the petals –- they’re a little floppy.

Last year, Ellen, seeing how miserable I was, invited me to choose a single work from the procession of Buddhas spilling from her scissors. Right away, I fastened upon this one -- my heart, not to put too fine a point on this, lunged for it, seeing in it something it was starved for.

Her cutout is one of those rare works the sight of which can calm one’s breathing. I have only to look at it to feel the tension and grief drain from my body. I am grateful to Ellen for the gift she made of it to me. It soothes the beast pacing inside this cage of who I am.  It tells me not to kill. It tells me not to die before my time. I have it hung in a place where it’s the last thing I see at night before I turn out the lights.

Glenn Gordon, March 2010

 


Monday, March 15, 2010

Winning entry from Linda Glaser




Buddha Holding a Bowl

Buddha
holds an empty bowl
patient
eager
for the soup of the day
steeped with insistent freshness
the fragrance of basil
wraps around
hands
air
nostrils
colorful squashes
and tomatoes

Buddha
    cradles the wonder
    of roots and stem
    and living dirt
    that gave birth
    to these treasures
    just picked this morning

while memory eyes hold
last night’s full honey dew moon
lighting itself on the wet naked lake

Buddha
    holds a new cup of life
    each day
    the possibility of now
    imbedded in every breath,

     and hope for a world
     where all people
     hold empty bowls
     for each other

Winning entry from Grace Anderson


 
sacred seed- new body, new mind
planted where womb & planets
merged outside of time
to the center of the universe synergized
stars mend our blended eyes
witnessing our first breath of earthly life
our roots growing ever deeply
an ancient & infinitely beautiful surprise
we age like the old weeping willow
always growing & reaching toward the same sky
but beyond the hard surface,
our helpless inner child still cries
we always hold this innocence
further than what guilt we claim in this life
love is free, & we are blessed to free our minds
let your own light shine,
and without searching, you will find
the integral place
where your honest perpetual
truth really lies.
it's the fire of our bounty
a celestial, eternal prize.

 Grace Anderson